Spanish painter, 1614-1685  Related Paintings of Francisco Rizi :. | Auto-da-fe on Plaza Mayor, Madrid | Auto-da-fe on palaza mayor,Madrid | Decoration of the Capilla del Milagro | Virgin and Child with Sts.Philip and Francis | Apotheosis of St Anthony of Padua |
Related Artists:
Jules Joseph Lefebvre
(Tournan-en-Brie, Seine-et-Marne, 14 March 1836 - Paris, 24 February 1911) was a French figure painter. Lefebvre entered the École nationale superieure des Beaux-Arts in 1852 and was a pupil of Leon Cogniet. He won the prestigious Prix de Rome in 1861. Between 1855 and 1898, he exhibited 72 portraits in the Paris Salon. In 1891, he became a member of the French Academie des Beaux-Arts. He was an instructor at the Academie Julian in Paris. He is chiefly important as an excellent and sympathetic teacher who numbered many Americans among his 1500 or more pupils. Some of his famous students were the Scottish-born landscape painter William Hart, as long as Georges Rochegrosse, Felix Vallotton, and many more. He was long a professor at the École des Beaux-Arts. Many of his paintings are single figures of beautiful women. Among his best portraits were those of M. L. Reynaud and the Prince Imperial (1874). Among his many decorations were a first-class medal at the Paris Exhibition of 1878 and the medal of honor in 1886. He was a Commander of the Legion of Honor and a member of the Institut de France.
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Procaccini, Andrea
Italian, 1671-1734 Italian painter, draughtsman and architect. A pupil of Carlo Maratti, he is first documented in 1702, among the restorers of Raphael's fresco decorations (1511-14) in the Vatican. His Tarquinius and Lucretia (c. 1705; Holkham Hall, Norfolk) has cold colours and unnatural gestures that recall Guido Reni. Appointed by Pope Clement XI, between 1710 and 1717 Procaccini supervised the tapestry factory in S Michele a Ripa: the Purification of the Virgin (Rome, Vatican, Consistory Hall) is the only extant tapestry made from a cartoon (untraced) by Maratti and an oil painting (untraced) by Procaccini. The Baptism of Cornelius Centurion (1711; Urbino, S Francesco) for the Baptism Chapel in St Peter's, Rome, was previously attributed to Maratti or Giuseppe Bartolomeo Chiari, but Procaccini apparently based it on sketches supplied by Maratti, who also supervised and revised the work before it was displayed.